Lou Benesch - "A Comforting Invisible"
Hashimoto Contemporary is pleased to present A Comforting Invisible, a project room exhibition by Lou Benesch. The exhibition will be Benesch's first solo exhibition at Hashimoto Contemporary.
Opening Night Reception:
Saturday, November 9th
6pm - 8pm
Gallery Hours:
Tuesday - Saturday / 10am - 6pm
Hashimoto Contemporary LA
2754 S La Cienega Blvd.
Los Angeles, CA 90034
Advance Collector's Preview:
An advance collector's preview will be made available online before the exhibition opens, if you would like to receive a price list, please contact us at la@hashimotocontemporary.com.
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Lou Benesch, Waves, 2024
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Lou Benesch, Peregrine Fold I, 2024
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Lou Benesch, Dappled Dreamer, 2024
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Lou Benesch, Storyteller, 2024
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Lou Benesch, Vessel II, 2024
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Lou Benesch, Night Gown, 2024
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Lou Benesch, Tender Dawn, 2024
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Lou Benesch, Dusk, First Bloom, 2024
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Lou Benesch, The Traveller, 2024
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Lou Benesch, Peregrine Fold II, 2024
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Lou Benesch, Feeding Moon, 2024
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Lou Benesch, Resting Place, 2024
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Lou Benesch, Vessel I, 2024
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Lou Benesch, The Shepherd, 2024
Sometimes we wake from slumber, drenched in sweat, swearing that the visions in our minds were playing out in reality. What if they are? In her new exhibition, A Comforting Invisible at Hashimoto Contemporary Los Angeles, Paris-based artist Lou Benesch considers the existence of a second, invisible realm accessed only through the portal of dreams. This new series of rich, intricate watercolor paintings on paper reveals an alternate reality where strange mythological creatures roam across surreal landscapes, waiting to be witnessed after nightfall.
Just as they would appear in a dream, Benesch's creatures are based on beings from our world, but slightly warped, like a child’s imagining of an animal. The Shepherd shows a two-headed sheep with a large, fluffy gray body, sheep-like hooves in the front, and eagle-like talons in the back. Holding round bells in each mouth, the beast hovers above a sea or a sky, emerging from beyond an off-white curtain. The creatures depicted in these worlds, the artist describes, are “not on the pages but in the folds, waiting for us to discover them.” There is more to our reality than meets the eye.
Benesch also includes references to the aesthetics and materiality of deep, relaxing slumber, as “sheets, nightgowns” make up the ceremonial attire to “access this universe of contemplation, a maze with an invisible hand guiding us along the paths that we forget to see.” The artist incorporates soft folds into curtains, animal fur, and fluffy clouds, creating moments of comfort in this uncanny other world. Below several peculiar animal amalgamations, beds with downy pillows and ruffled sheets invite the viewer to wrap themselves in this twin reality—where this strange invisible is transformed into a comforting wonder.
Join us for the opening of A Comforting Invisible on November 9th, with a reception from 6-8 pm. The exhibition will open concurrently with Nicholas Bono Kennedy’s solo exhibition, Dinner Party (While the World Burns), and Shannon Danielle Taylor’s project room exhibition, Night Market. For additional information on the exhibition or exclusive content and images, contact LA@hashimotocontemporary.com.