David Heo - "Mythos"
Hashimoto Contemporary is pleased to present Mythos, a solo exhibition by Chicago-based artist David Heo. The exhibition will be Heo's second solo exhibition at Hashimoto Contemporary.
Opening Night Reception:
Saturday, April 15th
6pm - 8pm
The artist will be in attendance
Gallery Hours:
Tuesday - Saturday / 10am - 6pm
Exhibition on view through Saturday, May 6th
Hashimoto Contemporary NYC
54 Ludlow Street
New York, NY 10002
Advance Collector's Preview:
An advance collector's preview will be made available online before the exhibition opens, if you would like to receive a price list, please contact us at jenn@hashimotocontemporary.com
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David Heo, Immense (Let it Out), 2023
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David Heo, Red and Blue, 2023
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David Heo, Window, 2023
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David Heo, A Timeline, to, Heavier, Talks, 2022
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David Heo, Priiiiiime, 2023
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David Heo, Rodney, 2023
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David Heo, Saigu, 2023
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David Heo, 1992 (Contention), 2023
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David Heo, Within Control, 2023
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David Heo, Something Like Helen and Paris, 2023
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David Heo, Opening, 2023
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David Heo, 꽃 #1 - 3, 2022
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David Heo, Here We Go, 2022
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David Heo, Cuffing Season, 2023
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David Heo, Mixed Feelings, 2022
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David Heo, Too Furious, 2023
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David Heo, Warmth, 2022
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David Heo, Day (Seoul), 2022
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David Heo, Night (Seoul), 2022
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David Heo, 낮 (Chicago), 2022
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David Heo, 밤 (Chicago), 2022
Hashimoto Contemporary is pleased to present Mythos, a solo exhibition by Chicago-based artist David Heo. The exhibition will be Heo's second solo exhibition at Hashimoto Contemporary.
For Mythos, Heo showcases his idiosyncratic use of mixed mediums, recurring symbols, and personal themes. Borrowing familiar figures from 1990s popular culture, the artist displaces these icons from their context. By doing so, he re-conceives their influence within a series of long-lasting, classical South Korean vessels and other accompanying works. This narrative vehicle is a direct reflection of the artists bi-cultural upbringing. Heo explains that the use of popular culture serves as an entry point to present and discuss larger topics, such as power dynamics which manifest as unspoken, insidious rivalries that exist between groups which are regulated to the margins. Understanding this, Heo presents the nuances of these instances which inform biases and consequently define and limit who we are.
The artist illustrates clear visual representations of protagonism and antagonism as learned biases, which influence and shape our aesthetics of what is considered “good” and “evil.” This becomes reified through his image-making and the use of color. These two factors direct the narrative, based on indicators of the meanings that we have associated with these binaries, whether consciously or subconsciously. For example, Priiiiiime, intricately layers a range of mixed mediums — the main figure is clad in red, white, and blue. Color, then, emerges as visual rhetoric to help articulate the aforementioned power dynamics. As the viewer shifts their gaze, a second figure emerges from the shadows — depicted only through shades of black.
Stepping away, Heo asks “Without context, who do we assign the role of “Hero” and “Villian”? Who then controls the narrative?”
Please join us Saturday, April 15th from 6pm to 8pm for the opening of Mythos. The artist will be in attendance.
The exhibition will be on view Saturday, April 15th to Saturday, May 6th. For more information, additional images, or exclusive content, please email NYC Director, Jennifer Rizzo at jenn@hashimotocontemporary.com